Musical Palette program is a tool for the creation of 'theoretically correct' melodies.

  The program is based on composition theory and the theory of harmony. The strong theoretical base makes the melody composing process easier.

  The program contains demo scripts, which show how to use the program, and how to compose the melodies.

  The program represents the melody in a structure that is analogue to the structure of common speech. There are words (motives), phrases, sentences. Such an approach allows a simple and effective algorithm to be applied to the composition of melodies.

  Notation Player 2.1 может не только показывать воспроизводимые в текущий момент ноты, но и позволяет добавлять свои музыкальные ключи и подписи, фильтровать ноты по играющим их инструментам, а также выводить полученные ноты на печать.

  Кроме того, данный плеер может проигрывать файлы караоке (KAR), показывая не только ноты, но и встроенный в них текст песни, а также открывать специальные нотные файлы формата NOT.   

В Notation Player 2.1 есть встроенный инструмент для просмотра, поиска и загрузки бесплатных MIDI-файлов с сайта разработчиков программы.

MOZART is a program designed to conform to the usual standard command interface. Anyone who has used a Windows word processor should therefore find many of the standard operations such as opening, closing, and scrolling the windows entirely intuitive.

Within the MOZART frame window you may open as many music windows as desired, and edit the music within any of them by bringing the appropriate one to the top. All editing is done with the usual computer keyboard and mouse, but entry of music from an external MIDI device (such as a MIDI keyboard) is also supported. The music may be saved in files (with default file extension ".mz") which may be opened again for subsequent editing. More than one window may be open on a single document.

MOZART is not really a music sequencer, being primarily for producing printed music for instrumentalists. However, on systems with sound (MIDI synthesis) capability, the music may be played, either with straight classical rhythmic interpretation or in a "swing" style. Furthermore MOZART offers considerable scope for setting the interpretation of dynamic levels and otherwise configuring the playback.

Some of the advantages of MOZART over hand written music include: the ability to edit out errors easily; the ability to enter passages quickly by copying a similar passage and editing it; the ability to screen the music for mistakes by listening to it; the ability to transpose music into new keys very easily; the ability to construct instrumental parts quickly and efficiently from the overall score.

Sibelius handles every kind of music from renaissance to avant garde, covering lute tablature to lyrics, handbells to harp pedaling. With a normal printer you can produce truly professional results, rivaling the highest quality of the world’s leading publishers. If you write for orchestra, band or other ensembles, Sibelius will instantly produce pristine sets of parts, which automatically update if you revise the score (Dynamic Parts™). Sibelius is also ideal for jazz, rock and pop – everything from simulating handwritten music to sophisticated handling of chord symbols, percussion, guitar tab and chord diagrams.

Sibelius is so easy to use that it’s not just for professional musicians – it’s also used by tens of thousands of schools, colleges and universities. Your students won't need to waste valuable time learning the software – the tutorial videos will get them up and running in no time. Sibelius helps students do everything from learning the basics of notation to complete multimedia projects with music synchronized to video. And the Worksheet Creator saves you time by producing over 1700 different worksheets and other teaching materials, which you can share with students and colleagues via the Internet.

And Sibelius has many more features, such as scanning in music, playing back with exceptional realism, creating audio files to makes into CDs, assisting with arranging and orchestration, letting you create your own “plug-in” features and even publishing and selling your music on the internet.

When you’re proficient with Sibelius, you will realize that a great deal of the time spent writing music was doing literally that – physically writing it out. Mechanical tasks like ensuring objects in the score don’t collide, repeating music, transposing it and working with instrumental parts are done far faster and more accurately if left to Sibelius. Sibelius is like having an intelligent assistant at your side, doing all the tedious work for you while you provide the creative input – which is, after all, the most enjoyable bit.

We like to say that using Sibelius is 99% inspiration, 1% perspiration.